By Carolyn Jess-CookeThe movie sequel has been maligned in pop culture as a vampirish corporative workout in profit-making and narrative regurgitation. Drawing upon quite a lot of examples from early cinema to the twenty-first century, this quantity unearths the expanding approval for, and experimentation with, movie sequels as a crucial dynamic of Hollywood cinema. Now creeping into international cinemas and self reliant movie fairs, the sequel is again and again hired as a car for cross-cultural discussion and as a constitution during which stories and cultural narratives will be circulated throughout geographical and old destinations. This publication goals to account for a few of the significant serious contexts during which sequelisation operates by way of exploring sequel construction past field workplace figures. Its account levels from sequels in fresh mainstream cinema, art-house and 'indie' sequels, non-Hollywood sequels, the results of the family industry on sequelisation, and the impression of the game on Hollywood.